Wonderworks: The 25 Most Powerful Inventions in the History of Literature (Hardcover)
Alas, not available through us.
Alas, not available through us.
This “fascinating” (Malcolm Gladwell, New York Times bestselling author of Outliers) examination of literary inventions through the ages, from ancient Mesopotamia to Elena Ferrante, shows how writers have created technical breakthroughs—rivaling scientific inventions—and engineering enhancements to the human heart and mind.
Literature is a technology like any other. And the writers we revere—from Homer, Shakespeare, Austen, and others—each made a unique technical breakthrough that can be viewed as both a narrative and neuroscientific advancement. Literature’s great invention was to address problems we could not solve: not how to start a fire or build a boat, but how to live and love; how to maintain courage in the face of death; how to account for the fact that we exist at all.
Wonderworks reviews the blueprints for twenty-five of the most significant developments in the history of literature. These inventions can be scientifically shown to alleviate grief, trauma, loneliness, anxiety, numbness, depression, pessimism, and ennui, while sparking creativity, courage, love, empathy, hope, joy, and positive change. They can be found throughout literature—from ancient Chinese lyrics to Shakespeare’s plays, poetry to nursery rhymes and fairy tales, and crime novels to slave narratives.
A “refreshing and remarkable” (Jay Parini, author of Borges and Me: An Encounter) exploration of the new literary field of story science, Wonderworks teaches you everything you wish you learned in your English class, and “contains many instances of critical insight....What’s most interesting about this compendium is its understanding of imaginative representation as a technology” (The New York Times).
About the Author
Angus Fletcher is a professor of story science at Ohio State’s Project Narrative, the world’s leading academic think-tank for the study of stories. He has dual degrees in neuroscience and literature, received his PhD from Yale, taught Shakespeare at Stanford, and has published two books and dozens of peer-reviewed academic articles on the scientific workings of novels, poetry, film, and theater. His research has been supported by the National Science Foundation, the Mellon Foundation, and the Academy of Motion Picture Arts and Sciences. He has done story-consulting for projects for Sony, Disney, the BBC, Amazon, PBS, and Universal and is the author/presenter of the Audible/Great Courses Guide to Screenwriting.
"Fascinating. . . . It blew my mind!"
— Malcolm Gladwell
"If Wonderworks had been around then, I would have sat my son down and read Angus Fletcher’s exploration of the history and the psychology of literature to him, word by word. . . . I hope it will convince others that there are benefits and pleasures that you can get from literature that are unique and valuable."
— Jane Smiley
"I'm totally obsessed with Wonderworks. It swallowed me whole."
— Brené Brown, "Unlocking Us with Brené Brown," Parcast Network
"An intelligent, engaged and erudite attempt to neurologically tackle not just some abstract and simplified 'story', but some of the world’s greatest narratives, from the Iliad to Dream of the Red Chamber, from Disney’s Up to the novels of Elena Ferrante. It speaks to the inner reader in us all, as well as to the inner neurologist."
— Simon Ings
“Wonderworks contains many instances of critical insight. . . . What’s most interesting about this compendium is its understanding of imaginative representation as a technology."
— Sophie Gee
“I’ve been living in Wonderworks for several weeks now, dazzled by its innovations, wild surmises, gifts of insight, unlikely readings and – perhaps most of all – its inspirational force. Angus Fletcher is that rare critic who actually has something to say, who grabs us by the collar and hopes to shake sense into us. This may be one of the most important and truly useful books about literature written in the past decade. It opens a vista into reading that regards writing as a kind of continual experiment in human and societal engineering. That Wonderworks deserves a wide audience goes without saying. It’s refreshing and remarkable on so many levels.”
— Jay Parini, author of Borges and Me: An Encounter
"If you are interested in both writing and science this is an unmissable book. . . . Fresh and inspiring."
— Brian Clegg
"Reading good books doesn’t just entertain us; it teaches us how to better use our brains and our emotions, as this lively treatise tells us . . . An idiosyncratic, richly detailed, often lyrical invitation to reconsider how and why to read literature."
— Kirkus Reviews (starred review)
“Aristotle’s Poetics was new and brave but was left incomplete. Angus Fletcher finishes it in Wonderworks with some help from contemporary science and an abundance of penetrating analyses. Fletcher endorses storytelling as a foundational technology but he goes beyond that to illustrate its therapeutic value and centrality to cultural invention. Wonderworks is the perfect counter to our season in hell.”
— Antonio Damasio, author of The Strange Order of Things: Life, Feeling and the Making of Cultures; Professor of Neuroscience and Director of the Brain and Creativity Institute, University of Southern California
“Find one polymath. Take a profound knowledge of world literature. Add a deep knowledge of modern psychology and of neuroscience. Add a cupful of worldly wisdom. Stir in an enchanting prose style. Heat until bubbling. You have just baked a unique, marvelous treat: Angus Fletcher’s Wonderworks.”
— Martin Seligman, author of The Hope Circuit and Learned Optimism; Professor of Psychology and Director of the Positive Psychology Center, University of Pennsylvania
“Wonderworks unleashes the transport, suspense, paradox, and power of stories. All the ideas glossed—from Aristotle and Shakespeare to contemporary neurosciences—exhibit the literary invention that constitute the subject of the book, creating a tour-de-force of knowledge, fantasy, and the desire to heal.”
— Rita Charon, MD, PhD, Executive Director, Columbia Narrative Medicine, Columbia Vagelos College of Physicians & Surgeons
“An epic, a masterpiece. Angus Fletcher has reached deep into history and far in contemporary neuroscience to give us a magisterial synthesis of why and how humans not just make literature but use it to navigate our worlds.”
— Blakely Vermeule, author of Why Do We Care About Literary Characters?, Albert Guérard Professor of Literature, Stanford University
“Drawing upon insights from neuroscience and evolutionary biology, an expert in the art of storytelling explains why literature matters by showing, through lucid examples, the myriad ways that literature’s bag of tricks works with and for our minds. Anyone who has experienced wonder in an encounter with literature will profit from this wise and clever book.”
— Lawrence Manley, William R. Kenan, Jr. Professor of English, Yale University
“Extraordinary . . . Angus Fletcher has not only set out a radical vision of literature as a technology that helps us, he has also provided a wonderfully varied and generously introduced reading list . . . Wonderworks brings inspiration, and an exciting challenge, to read and to think hard about literature, and it's a pleasure to read.”
— Raphael Lyne, Professor of Renaissance Literature, Faculty of English, University of Cambridge; Fellow of Murray Edwards College
“Readers will be impressed by Fletcher’s scope and inclusion of literary invention. Wonderworks is for those readers who like to consider the history of literature, yes, but also those who like to think about the technical aspects of literary devices used across that history.”
— Library Journal
"Innovative . . . A fresh take on the history of literature and a testament to the enduring power of reading."
— Publishers Weekly
"Professor Angus Fletcher has discovered the incredible effects stories have on our minds. . . . [Fletcher] is a true polymath: both a neuroscientist and Yale-educated doctor of literature. He has combined his twin passions to unlock the psychological, physiological and pharmacological effects literature has on humans."
— Neil Mackay